Food, College Style Essays - Meals, Types Of Restaurants, Lunch

Food, College Style Coming to this school, one of my biggest fears was what the food would be like. I knew there would be no way I could last a whole year here if the food was terrible, and my budget didn't allow eating out very often. At home when the high school cafeteria food was bad, I could always go home and get a good meal. Here, however, I couldn't just go home if the food was bad. I would just have to choke it down or starve. After I'd been here awhile, and had a couple of meals from Morrison's food service my fears were relaxed. I realized that the food wasn't that bad, and that I'd be able to make it the year without starving to death. My evaluation of Morrison's food service was based on many aspects of the whole dining experience. My judgements were not made on just one meal, but are my overall opinion of the food service since I have been here. The aspect I put the most emphasis on was the taste of the food. Without good taste in the food, the whole dining experience is ruined. The next quality that I looked at was the appearance of the food. The food should look appetizing. For example, the bread should not have any moldy spots on it, and the salad should not look like it's been left out for three days where the lettuce is brown and rotten. If the food doesn't look appetizing, this also reduces the pleasure in dining. The third aspect I judged the food service on was selection, because no matter how good the food is, if you eat the same thing long enough, it gets old. The final quality I used in judging Morrison's food service was the cleanliness of the dining area. The food overall in the tower's cafeteria is pretty good, although some meals are definitely better than others. Breakfast is probably the worst meal overall. There is very little selection of food and the food that is there is not very good. Their biscuits and gravy are very dry, their scrambled eggs are usually runny, and their hash browns taste like rubber. They usually have these three things every morning along with a few other items. However, one good thing that I like about their breakfast is that they have a waffle maker, many different types of cereal, and bagels laying out. All of these things I can fix on my own. When I do eat breakfast there, I usually stick with one of these three things. Lunch in the cafeteria is usually pretty good. The food service does a good job in giving a wide selection of food to choose from. They have pizza, pasta, hamburgers, and lunch meat everyday. All of these items are usually very good. Along with these items, they have two or three main entrees to choose from. The main entrees usually lack in taste, but every once in a while they will have something good, like pork chops and baked fish. One thing that I did notice about the food served at lunch is that it is sometimes leftover from different meals that we had earlier that week. This really isn't that bad though, because it is very hard to tell that it has been reheated. The appearance of the regular items is usually pretty good. The hamburgers lack color, but they make up for this in taste. The appearance of the main entrees vary from day to day. Sometimes they look very appetizing and other days they look as if they just mixed a whole bunch of stuff together and! put it out there. Supper is the best meal of the day. Like lunch, they have a good selection with the usual pizza, pasta, hamburgers, and lunch meat. They also have two or three main entrees, but these usually taste better than those that they have for lunch. My favorite meals for supper are when they have premium night. For premium night they serve items like steak, shrimp, ribs, and chicken fried steak. The appearance of the food at supper is usually pretty good. However, one problem that I

Plot To Steppenwolf Essays - Fiction, Literature, Steppenwolf

Plot To Steppenwolf Essays - Fiction, Literature, Steppenwolf Plot To Steppenwolf THE PLOT of steppenwolf - Steppenwolf opens with a preface by a young businessman, who introduces a sheaf of notes left behind by a lodger in his attic rooms several years before. This young man, the landlady's nephew, describes the eccentric lodger, Harry Haller, who called himself a Steppenwolf, meaning in German a wolf of the steppes, or plains. The narrator finds this an odd but apt description of the shy, lonely wanderer who revealed little about himself but left a haunting memory. The preface recounts Harry's arrival and the narrator's several encounters with him- on the stairs, at a concert and an art lecture, and in a tavern. He has decided to publish Harry Haller's records although he can't say whether the experiences it relates were real or fictitious. Haller's records, subtitled For Madmen Only, begin with a walk in the dusk after a boring day. The walk takes Harry into an imaginary world by way of a flickering sign, an appearing and disappearing little door in a church wall, and a peddler with a placard advertising, Magic Theater- Entrance Not For Everybody. The peddler hands Harry a pamphlet and vanishes. in his room again, Harry examines the pamphlet. It is called Treatise on the Steppenwolf and is a second portrait of Harry, a psychological one this time. It analyzes Harry as inwardly half man and half wolf, two selves in constant conflict. It describes Harry's struggle to be himself, which has resulted only in greater loneliness. It explains to Harry the role of the Steppenwolves- the artists and intellectuals- in middle-class society, and the geniuses who break free and become Immortals. It tells Harry that his wolf is an oversimplification, that he has not two but hundreds of selves. Some day he may see himself in one of the Immortals' magic mirrors, or find in one of their magic theaters what he needs to free his soul. Finally the anonymous authors bid Harry good-bye and cheer him on his path toward becoming an Immortal. Harry, again in the first person, compares what the Treatise says of him with a poem he has written about the wolf. He finds them both true and unbearable. He recalls the successive crises in his life, the despair, and the new self-knowledge he has gained each time at the cost of increased loneliness. He will not go through this again. He will end it, commit suicide. But first, the Magic Theater. After nights of search he finds the peddler, who directs him to a seedy tavern. Here he meets the bar girl Hermine, who introduces him to the prostitute Maria and the jazz musician Pablo. With Hermine as guide, Harry learns to dance and to enjoy sex and the night life of the city. He joins the revelers at a masked ball. Pablo, as master of ceremonies, invites Harry into the Magic Theater. Here, in a series of dreamlike adventures, Harry fights a war against automobiles, makes love to all the women he has ever loved, commits an imaginary murder, and prepares to be executed. Instead, he is con demned to go on living. Pablo rebukes him for messing up his magic with reality. Harry acknowledges that he will go on trying to face his inner self, and perhaps learn to do better next time.